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segunda-feira, 13 de março de 2017

Mozambique’s poaching castles are crumbling


14 Mar 2017 Posted at 07:56h in Kruger poaching links, Mozambique trafficking links

Estacio Valoi travelled to Mozambique’s poaching capital to catch up with some of the kingpins who built their mansions on the proceeds of killing Kruger’s rhinos

Nympine’s mansion along the main road to Chokwe district remains half-built.
 Photos: Estacio Valoi

Young Mozambicans living along the border with the Kruger National Park leave their families without saying goodbye and, motivated by the pursuit of money, head out on a journey that most of the time means no return.
In their pursuit of rhino horns and, more recently, elephant tusks, these ground-level poachers are intercepted by game rangers and security officers inside the Kruger carrying firearms. Usually they shoot before asking questions. Often the young Mozambicans die.

Massingir is a dusty, dirt-poor district about 550km drive from Johannesburg. It is located in the north-west of Gaza province and borders with Chicualacuala district in the north, with Magude district in the south, Mabalane in the east and South Africa’s flagship Kruger park in the west.
Despite its potential, described in the development plan of Massingir in 2010, there are no industries or employment, agriculture is minimal, and the recent development of ecotourism does not yet benefit the local population on a large scale.

Meeting the leaders

As the sun rose on the red village, we set out for a morning encounter with Justice Ngwenya, also known as “Nyimpine”; Simon Ernesto Valoi; also known as “Navara”; and a man called Chiure – all identified as leaders of the youths eager to earn money out of killing. Attracted by the wealth the leaders flaunt, the youths come to them to request firearms and instructions on how to poach inside Kruger.
Acting as the interpreter for a film crew, I wanted to sit face to face with the poachers but things didn’t work out as expected. Only Chiure, the original and the oldest poaching leader, and Nyimpine, the second in the system, would meet us.

Navara is the most notorious of the poaching leaders. This is an unsourced photo of him from 2015
Navara is the most notorious of the poaching leaders. This is an unsourced photo of him from 2015

Navara, the most notorious, was unavailable though we were told by locals that he was seen coming in and out of his home precinct in a white Land Cruiser. The first in the local hierarchy is Chiure, followed by Nympine and then Navara – although there are others poachers in Nyangani and Nkanhine, such as Chief Lucas Ringane, who in 2014 saw his young brother killed in Kruger park.

First we went to the home of Jaime Cumbane’s, the community leader of the Eduardo Mondlane neighborhood, recently created when about 500 families were resettled out of the Limpopo National Park – the transfrontier park that is shared between Mozambique and northern Kruger.

The resettlement process is part of the regional socio-economic plan, and has brought some new opportunities to the communities that were previously exposed to wild animals and drought in Limpopo National Park. However, there are still about five communities comprising more than 13,000 families living inside the park, according to Antonio Abacar, the park’s outgoing administrator.

While talking to Cumbane, his eyes were constantly surveilling his yard, trying to monitor his kids’ activities, since the departure of youths to the killing fields of the Kruger is never announced.
Seeking easy money and mansions, the youths have no time for goodbyes and much less prospect of return, he said. “The possibilities are they return with rhino horns, or come back inside a coffin.”
Abacar said a lot needs to be done in terms of the Mozambican judicial system because it is “fragile” and still benefits the poaching syndicates.
“The current legislation only serves to punish the low-level poachers, leaving the traders, transporters and middle men at large,” he said. “There is a difference in the legislation in South Africa, and the Mozambican law is weak.”

The home of the original and the oldest poaching leader, known only as Chiure

Lottery: easy money or certain death

Those poachers who have returned and managed to make money out of the illicit business have guzzled it up in the acquisition of fancy vehicles and flashy homes. The incentive for poaching declined in 2016 due to the high number of the deaths and arrests by rangers in Kruger, said Cumbane.
“Before it was a profitable business, but now because of the many deaths and the tight security in Kruger, the same men are suffering and they have parked their vehicles and motorbikes, and their houses remain unfinished. And now they have nothing to do, it is a misery,” said Cumbane.
The way the business works, he said, was that the boss places orders, and in case of death he supports all the funeral expenses “as a way of demonstrating being a good person, but we know that they are bad people”.

He said the government knows all the poachers and could reduce the levels of criminality, but the political leaders are also involved.
In Massingir everybody knows the people from the syndicates, because they drive luxury vehicles, possess fancy houses and nobody detains them.
“This comes from the top and we are at the bottom, we mean nothing,” said a local leader who did not want to be named. “They are the ones doing things here and shipping out the horns. It has been difficult to find solutions for these problems.”

Another community member said the poaching syndicates had misused the money. “With the money involved in this business Massingir could have reached a high level of development, and at this moment of the crisis the poachers would not be suffering.
 “The poachers have only spent 10% of the money they earned through poaching on houses and cars. I even saw some people keeping money inside broken fridges. Can you imagine a broken fridge full of dollars and rands?”

With time ticking it was necessary to find the bosses of the poaching. We met Chiure, the original poaching leader, in his village shop and chatted with him about his area. He sold us beer and water and talked about the drought, but avoided any conversation about poaching.
It was a risk to look for Navara because of his popularity within the community and the government. He is known as a dangerous criminal, linked not only to poaching but also to alleged murder and car hijackings – which apparently was his first “profession”.

“Navara is a very dangerous person. If you investigate him the population will report you to the police, like what happened to the overseas journalists who were here and were almost killed by the locals,” said one of our sources on the street who did not want to be named.

He was referring to the incident in March 2015 when German reporter Bartholomaus Grill and Swedish photographer Toby Selander were held hostage by locals after they approached Navara’s house in an attempt to interview him. They were arrested by police in Massingir and hauled before a local court before the Swedish embassy intervened and arranged for them to leave Mozambique. (see Journalists held captive by rhino poachers)

Outside Navara’s home. He was unavailable though we were told by locals
 that he was seen coming in and out of his precinct in a white Land Cruiser

Death pact

Among the syndicate kingpins and their associates, there is a pact that if poaching assignments succeed the payment is fulfilled and in the case of death, the same bosses take responsibility for sponsor all the funeral costs. They say the son of that family had gone to them asking for a job, and a firearm. In most instances the parents are afraid of being victimised or killed by the chief, so they play along.

Chiure has buried more than seven boys from the area that he hired for poaching. He possesses a block of flats and a grocery, and drives a white Land Cruiser.
He knows Navara, but they are not friends. Navara is younger than him.
We then drove to “Nympine’s” mansion along the main road to Chokwe district. The poacher-preacher was waiting for us and our conversation was conducted sometimes in Changana, English and Portuguese, but it was not easy to get the full story.


The poacher-preacher: This 2015 photo of Justice Nyimpine, leaked to Oxpeckers, showed him in a SANParks helicopter

It wasn’t the first time Nyimpine was in such a situation, he already knew what we were going to do and immediately expressed his availability in collaborating with us – so long as he could charge us R15,000 for the interview. “Are you the ones looking for me?” he asked. “I can sit here with you and tell you everything as long as you pay R15,000 to record, shoot and film. Otherwise no recording, shooting and filming is allowed.”

It took us almost two and a half hours to convince Nyimpine that we were not paying. As the interpreter of the group I was getting a headache from speaking in three different languages.
Nyimpine said he knew the crew were journalists and insisted they needed to pay. “This is my place and everyone is under my orders. Do you want to know whether they are poaching? Yes, of course they are,” he said.

“I am Justice Nympine and not a simple citizen,” he continued. “I am the greatest and I am not easy to find. Massingir lays down before me and I am not here to waste my time.”
Nympine went to school until standard four, has four wives and 21 children to look after. He runs cattle breeding, butchery, and banana plantation businesses in Massingir. He said he wants to see all his children go to university.

He claimed to be a humanitarian, forgetting that many of the youths sent to Kruger park by him and his partners to hunt rhinos were shot dead by the rangers.
“This is a gift I was given by God to help others. I am the preacher of my church,” he said, showing some videos on his cellphone of mass and inviting us to his church to attend one of the masses conducted by him.

Then he returned to his main activity: “I am a poacher, I order and sell. I don’t miss a job, I am the boss and I risk my life to work and get money.
“I know how it is done and who are involved, including the market and the potential buyers. This is a network, a powerful syndicate.” Without payment, though, he would not reveal the details.

Dusty district: average homesteads in Massingir

Blame game

According to Nyimpine, the business of poaching has also benefited some rangers inside the Limpopo National Park, the transfrontier reserve created in 2001.
“At that time there was no poaching. Then a South African ranger [name withheld] who is still there started patrolling the park all alone, against the rules. He had a gun and killed some ‘problem animals’ such as elephants and rhinos. His vehicle and helicopter were never inspected,” Nyimpine said.

The leaders of the poaching gangs did not originate in the Massingir community, he said, because the community was originally keen to protect the species in the Limpopo National Park.
Before the rhino poaching started to rise in 2009, the Limpopo National Park hosted up to 20,000 tourists a year and the local communities receive 20% of the tourism profits. After the rhinos disappeared from the transfrontier park, the tourism numbers dropped and so did the revenues.
Nyimpine said his sources had told him that some South African conservationists were helping the poachers to buy luxury vehicles in South Africa.

“I saw one car bought for cash. Where did they get all that money to buy such a car? There is lot of connivance in this poaching business,” he said. – oxpeckers.org
More investigations in our Mozambique trafficking links dossier:
• The uphill battle to save rhinos in Mozambique
• Rhino trafficking: Down the rabbit hole at Kruger

quinta-feira, 9 de março de 2017

CTIJF Free Community Concert’s line-up to Jazz up the city




Cape Town, 09 March 2017 – Greenmarket Square will come alive to the sounds of the very best Cape Town International Jazz Festival (CTIJF) artists at 17h00 on Wednesday 29th March 2017. The annual Free Community Concert, set in the heart of Cape Town, is a free event that welcomes music fans from near and far to enjoy an incredible showcase of performing artists from this year’s CTIJF line-up.

This year, the festival has curated an outstanding line-up to entertain and unite Cape Town’s public, featuring the “real funky divas” RnB sensation En Vogue (USA), local afro-pop heroes Mango Groove (SA), SAMA-winning reedman Moreira Chonguiça (MOZ), 2017 espYoungLegends winner VuDu (SA), SACTWU talent winner Danielle Jacobs (SA) and the CTIJF Sustainable Training & Development All Star Band.

Crowds will gather to dance, sing and reminisce to the headline performance by RnB group En Vogue, who will transport fans back to the 90’s with their soulful, up-tempo hits, and give them a taste of what the “real funky divas” have been working on with their upcoming album Electric Café.  

Fan favourites Mango Groove, with the soaring vocals of Claire Johnston, and the classic African pennywhistle that forms their big band ‘Marabi-Pop’ sound, will get the Greenmarket Square audience moving to their uniquely infectious groove, with their classic hits and exciting on-stage presence. 

For real jazz fans, the adventurous musical identity of Matol-born, SAMA-winning reedman, composer, producer and ethnomusicologist Moreira Chonguiça will captivate Cape Town.  Playing many styles from places such as Mozambique, Nigeria, Zimbabwe and Congo in a mixture of different genres with a bit of hip hop, funk, and contemporary, Moreira lets his ancestors talk through him to connect with everyone willing to hear.  

“Because the CTIJF is firmly rooted in sustaining the future of the music industry in South Africa, and promoting the arts and culture movement, we have included the brilliantly talented VuDu, winner of the second annual espYoungLegends competition, in the line-up for this year’s Free Community Concert, as well as a young band and a fledgling solo performer, all of whom will entertain and give us a glimpse as to what audiences can expect in the future of South African music,” said CTIJF Festival Director, Billy Domingo.
VuDu will certainly live up to Domingo’s expectations and that of the crowds. The nu-jazz collective from Port Elizabeth, was formed to play straight-ahead jazz standards but has evolved into an outfit specialising in the fusion of traditional and African jazz with urban contemporary genres.

The young performer who will take the stage for her first live concert, is Danielle Jacobs the winner of the annual Southern African Clothing and Textile Workers Union’s talent competition, while the band to round off the line-up, is the carefully selected group of young performers from the CTIJF Sustainable Training & Development Music and Career workshops, dubbed the All Star Band.

Sponsors of the 18th Cape Town International Jazz Festival Free Community Concert include: Department of Arts and Culture, Independent Media, National Lottery, South Atlantic Arts & Culture Trust, City of Cape Town, Coca Cola, Cape Town Central Improvement District.

//Ends
For further information and media enquiries, please contact:
Nomsa Mdhuli:  Nomsa@networxpr.co.za
Or
Kaz Henderson: Kaz@networxpr.co.za

Limited Day Passes for the Cape Town International Jazz Festival are available at www.computicket.com or at the following link:
For corporate hospitality packages, contact Samantha on 021 671 0506 or email hospitality@espafrika.com


Official Free Concert 2017 hashtag: #FreeConcert2017
Follow CTIJF on social media and use the official hashtag to share your CTIJF story:
Official hashtag: #CTIJF2017
Facebook: facebook.com/CTJazzFest
Twitter: twitter.com/CTJazzFest
Instagram: Instagram.com/capetownjazzfest

Follow espAfrika for exclusive news, competitions and updates:
Facebook: facebook.com/espafrika
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About The Cape Town International Jazz Festival

The Cape Town International Jazz Festival (CTIJF) is the flagship event for the leading events management and production company espAfrika, which has staged and produced several world-renowned events. Affectionately referred to as “Africa’s Grandest Gathering”, the Cape Town International Jazz Festival is the largest music event in sub-Saharan Africa. The Cape Town International Jazz Festival (CTIJF), now preparing for its 17th year, is an annual event. It is famous for delivering a star-studded line up featuring international and local artists in the jazz and jazz-related genres. This proudly South African event is hosted at the Cape Town International Convention Centre (CTICC) each year on the last weekend of March or the first weekend of April. The festival boasts multiple stages with over forty artists performing over two nights. The festival hosts an excess of 37, 000 music lovers over the two show days and is combined with the CTIJF Sustainable Training & Development programme that aims to uplift and educate the youth. http://www.capetownjazzfest.com/

About espAfrika
espAfrika is a global leader in creating and producing unique entertaining experiences. With nearly twenty years in the industry, the company has grown into one of the most highly-awarded event management and production organisations in South Africa. espAfrika thrives on realising clients’ ideas and creating exceptional concepts that are relevant and engaging to today’s audiences. espAfrika owns and manages annual events such as the Cape Town International Jazz Festival which attracts festinos from around the world. espAfrika is a proud subsidiary of African Equity Empowerment Investments (AEEI)

quarta-feira, 8 de março de 2017

Festival Internacional de Jazz Cape Town




O baixista

O Festival Internacional de Jazz de Cape Town é um festival anualmente realizado na Cidade do Cabo, África do Sul. O primeiro foi realizado em 2000 a 2005 e é reconhecido como o quarto maior festival de jazz do mundo e o maior festival de jazz do continente africano a caminho da sua 18 edição a ter lugar a partir do dia 31 deste mês de Marco e com término no dia 1 de Abril de 2017

Por Estacio Valoi.


" Estaria feliz se conseguisse actuar em Moçambique."
Victor Lemonte Wooten (nascido a 11 de Setembro de 1964) é um baixista americano, compositor, autor, produtor, e vencedor de cinco grémios. Wooten foi por três vezes consecutivas galardoado como melhor baixista do ano pela revista Bass Player, primeira pessoa a ser atribuída o premio por mais de uma vez. 

Em 2011,Woote ficou na décima posição na "Top 10 Bassists of All Time" grelha dos “10 melhores baixistas de todos os tempos” da revista Rolling Stone. Além de uma carreira a solo e com colaborações com vários artistas, Wooten foi o baixista de Béla Fleck e os Flecktones desde altura da formação o grupo em 1988.

Em 2008, Wooten juntou-se a Stanley Clarke e Marcus Miller na gravação de um álbum e sob as siglas SMV e em Agosto do mesmo ano, o trio lançou o álbum intitulado Thunder – Trovão, no mesmo mês culminou numa digressão. Wooten também escreveu um livro intitulado “ A Licão da música: Uma procura de crescimento espiritual através da música.’ Segundo Victor, na sua website diz que tenciona lançar pelo menos mais três livros. Victor tem o seu próprio estúdio, Vix Records através do qual lançou as suas músicas. Enciclopédia   
  
Mas a enciclopédia era viagem dos outros e não a minha. Eu, queria era encontrar me com o próprio Victor, e, claro, a equipa da imprensa e todos os organizadores do Festival Internacional de Jazz de Cape Town, iam andando a velocidade estonteante, muita adrenalina fazendo. Naquela sala do hotel de Cape Town, a cada um dos Jornalistas e seus entrevistados, tinham de entre  10 a  15 minutos de entrevista nos 'estúdios' -quartos do hotel, disponíveis,  fecahaos ficávamos   a volta do Jazz, vida com nossos entrevistados. Seria preciso mais tempo. Contudo, foi tempo suficiente para a hora de ponta, ‘engarrafamento” total , correria pelo hotel, foram bons minutos  de conversa

EV: Um baixista como você, o teu nivel . Que significou estares, partilhares o mesmo palco com Marcus Miller também um dos melhores baixistas?

 VW: Obrigado. Foi maravilhoso. Aqueles rapazes têm sido os meus heróis desde a minha infância. Encontrei o Stanley Clarke pela primeira vez quando eu tinha apenas nove anos de idade, e sempre que estou com ele, sinto-me como se ainda tivesse nove anos e idade. 

Mas neste caso, fui tratado ao mesmo nível, igual a eles. Então, sabes, se podes imaginar os teus heróis em tudo o que gostas de fazer, então pense nesta turma, nestas pessoas na tua área de trabalho, nas melhores pessoas em seu redor e de repente estas a actuar com eles ao mesmo nível, um igual a eles.
É sempre uma honra para qualquer um, mas tem de se aprender como fazer, porque perante estes rapazes eu continuo sendo aquela criança. Mas eles trataram-me igual a eles, então foi uma grande oportunidade.


EV: Tendo em mente a tua infância, como criança de ontem, hoje, que sentes, significa para ti estar a ensinar todas estas crianças através da música? 
 VW: Certamente que tenho muita experiencia, nesta longa carreira musical, tocando há muito tempo. Então o facto de poder partilhar esta experiencia com músicos jovens de varias idades, mas músicos que todavia puderam trilhar este caminho, é uma alegria; saber que vou estar a ensinar, tento ser o melhor possível, tal como com o meu instrumento, pratico o meu instrumento ensinando m e err… (o telefone toca) yeah, mas também ensino practicando. Quando estou a trabalhar contigo ou com quem quer que seja, quero pesquisar ensinando. Quero ser o melhor professor possível, para que, ter certeza de estar a dar, transmitir algo benéfico.
 
Estou a transmitir – te algo, não se trata de mera criação, como me vês quando estou no palco, queres saber que eu tenho ensaiado, queres saber que eu tenho praticado, queres saber que eu estou a ultrapassar as expectativas. Acho que um professor deve fazer a mesma coisa.

EV: Não posso imaginar. Ė fácil ser um dos melhores baixistas?
VW: bem…ser um dos melhores, não vejo isto dessa maneira. É como tu dizes, mas será que és o melhor? Não estás preocupado em ser o melhor quer apenas ser capaz de expressar, dizer o que te vem na alma. Então, musicalmente quero apenas expressar- me, não tem nada a ver com o facto de ser o melhor, mas sou eu mesmo, autentico.   

EV: Queres ser melhor que tu mesmo e não melhor que outras pessoas.
VW: Certo! Quero ser o melhor de mim, da melhor forma possível, ok!

EV: Quem é a pessoa que está por de trás do musico Wooten,
VW: De trás de mim? O músico?

EV: Sim!
VW: Não percebi bem a sua questão, mas tenho...

EV: A pessoa por detrás do músico.
VW: Primeiro espero ser uma boa pessoa. Uma boa pessoa que se expressa através da música, uma boa e honesta pessoa que se preocupa com os outros que encontra na música uma forma e comunicar, expressar-se. Mas também tenho tido muita ajuda da minha esposa, meu empresário, do meu director de digressão, minha banda, amigos, há muitas pessoas que me ajudam a ser quem eu sou. 

EV: olhando para a maneira como tocas, esta cozinha, mistura do espiritual e emocional, o que te vem a cabeça quando estás no palco?
VW: Certamente que umas das coisas que faço fazer é agradar aquelas pessoas, o publico que pôs me no palco, está bem. Sem pessoas como tu não tenho carreira, assim como não teria carreira sem aquelas pessoas que pagam para ver-me. Então, quero agrada-los, tocar para eles, quero…


EV: então, o que te ocorre fazer para agrada-los? É a maneira como te adaptas ou como improvisas por exemplo?
VW: Claro. Quando está tudo fluir como deve ser, bem, não sei o que me vai na mente porque no momento não há espaço, esta fora de cogitação pensar nisto se não apenas expressar eloquente. É como falar, não pensas em cada palavra que trazes ca para, vão soltando-se, tens um objectivo geral. Sabes? E então para mim quando estou a actuar ao vivo, quando as coisas estão a correr bem, é o mesmo, não penso, divirto-me. Consigo sentir o espírito do público, quero que eles também sintam o meu e juntos possam nos misturar uns com os outros. E, tudo isto significa realmente estar a ter um grande momento. 

EV: Olhando para trás na sua vida, o que mudarias err, para te tornares diferente ou de modo a fazeres coisas que terás feito no passado mas de melhor maneira hoje? Não sei se tu… 
VW: Hum. Quero dizer que, não tenho certeza. Tenho que pensar, não sei o que teria de mudar porque tudo o que fiz no passado, bom ou mau, tornou-me o que sou hoje. E gosto do que sou. 

EV: então, tudo o que estás a tentar dizer é que nós temos que nos apegar as oportunidades para os nossos filhos, nossas pessoas, cometemos erros porque fazemos algo?
VW: Bem… (gagueja) … Ė humano cometer erros e humanos crescem. Os erros fazem parte do processo de crescimento. E Porque sei que não posso voltar para trás e mudar o meu passado, então nem me preocupo isso mas presto atenção em tudo o que agora faço, porque pelo menos posso mudar o futuro. Não posso mudar o passado mas posso afectar o futuro, e o que faço agora é o mais importante. Mudar o passado é quase que impossível. Estou ciente do meu passado mas o que faço hoje é o que irá afectar o meu futuro.


EV: Hoje estás no “ Cape Town International Internacional Jazz Festival” como te sentes por estar a participar pela primeira vez?
VW: Faz anos tenho ouvido falar do festival de Cape Town, estou feliz e honrado por estar aqui. 

EV: Antes estive com Marcus Miller aqui e sei que ele foi a Moçambique. Acho que deixei-o a actuar lá, deve ter sido há um mês atrás. Já te passou pela cabaça actuar em Moçambique?
VW: Espero que sim. Quero actuar em muitos países possíveis, então se eu pudesse ir a Moçambique, ficaria muito feliz.

EV: Está bem, obrigado
VW: obrigado.

quinta-feira, 2 de março de 2017

Inside the Jazz room with Victor Wooten. “If I can get to Mozambique that will make me happy.”



Inside the Jazz room with the bass player at the Cape Town International Jazz Festival
The Cape Town International Jazz Festival is an annual music festival held in Cape Town, South Africa. The first one was held in 2000 to 2005 and is recognised as the fourth largest jazz festival in the world and the largest jazz festival on the African continent. And the 18 edition its kick off will this March 31st all the way to 1 April 1st 2017 

Rewinding to 2016 

By Estacio Valoi
Editor Eleonor Osborn

“If I can get to Mozambique that will make me happy.”
Victor Lemonte Wooten (born September 11, 1964) is an American bass player, composer, author, producer, and recipient of five Grammy Awards.
Wooten has won the "Bass Player of the Year" award from Bass Player magazine three times in a row, and was the first person to win the award more than once. In 2011, he was named #10 in the "Top 10 Bassists of All Time" by Rolling Stone. In addition to a solo career and collaborations with various artists, Wooten has been the bassist for Béla Fleck and the Flecktones since the group's formation in 1988.
In 2008, Wooten joined Stanley Clarke and Marcus Miller to record an album. The trio of bassists, under the name SMV, released Thunder in August 2008 and began a supporting tour the same month.
Wooten has also written a novel titled "The Music Lesson: A Spiritual Search for Growth Through Music". On his website he has stated that he is currently writing a sequel and intends to release at least three more books. Wooten also operates his own record label, Vix Records, on which he releases his own music. This is what says the Wikipedia, the free encyclopedia.
I was not interested on the Wiki but Victor himself. And of course the press stuff and all the organizers from the Cape Town International Jazz Festival were doing their work. In that room from Cape Town hotel, those girls taking care of the press did ‘lock ‘us and our interviewers inside. ‘Hey you have 10,15minute interview. Was not really enough time but good enough in that kind of traffic jam in rushing hours!  
But let’s go together Inside the Jazz room with the bass player Victor.
EV: How was it for you, as a bass player to be standing on the same stage as (Marcus Miller) one of the best of the best Bass players?
VW:  Thank you. It was amazing. Those guys have been my heroes since I was a child. I met Stanley Clarke first when I was nine years old, so whenever I am with Stanley Clarke I feel like I am nine again. But in this instance I was treated as an equal. So if you can imagine, you know, your heroes whatever you like to do, think of the best people in your field and all of a sudden you get to perform with them as an equal. 
For one it’s an honour but you also have to learn how to do it, because I still see myself as a child to them. But they treated me as an equal so it was a great opportunity.
EV: With that in mind - you feeling both alike an equal and a child, how is it for you to be teaching all these kids today through your music?
VW. Sure. I have a lot of experience, I have been playing music for a long time. So to be able to share this experience with younger musicians of any age, but younger musicians who haven’t done it for as long, is a joy, so knowing that I’m going to be teaching, I want to be the best possible, just like with my instrument, I practice my instrument, but also practice teaching and err… (Phone rings) yeah, but I also practice teaching. I want to research teaching. I want to be the best teacher as possible so that when I am working with you or whoever it is, I am giving something beneficial. 
I’m giving you something that I’m not just making up you know when you see me on stage, you want to know that I have rehearsed, you want to know that I have practised you want to know that I am pushing the limits. I think a teacher should be doing the same thing.
EV: I can't imagine how it's easy being one of the best bass players.
VW: Well…being one of the best, I don’t look at it that way. It’s like you speak but are you the best? You’re not worried about being the best. You just want to be able to say what you want to say. So musically I just want to express myself, it doesn’t have to be the best, but it’s me.
EV: You want to be better than yourself, and not be better than anyone else. Is it?
VW: Right! I want to be the best me as possible. Right.
EV: Who is behind Wooten, the musician?
VW: Behind me? The musician?
EV: Yes
VW: I’m not sure what you mean, but I have ….
EV: The person behind the musician.
VW: Hopefully I am a good person first.  A good person that’s expressing myself through music, a good honest person who cares about people but I am using music to express myself. But I do also have a lot of help, my wife, my manager, my tour manager, my band, my friends, there’s a lot of people that help me be who I am.

EV: I mean, looking to how you play, it’s a kind of a mixture of a spiritual side and emotion, what comes in your head when you’re on the stage?
VW: Sure. One of the things that I want to do when I’m the stage is to please the people that put me on the stage, right? I, I don’t have a career without people like you, without people who pay to see me. So I want to please them I want to…
EV: So what occurs to you to do to please them? The way how you change or improvising, for example?
VW: Sure, when it’s all going well, I don’t know what’s in my mind because I am not thinking about it. You’re just expressing. It’s like talking, you’re not thinking of every word, you have an overall goal you know? And so for me when I’m playing live, if things are going well, it’s the same. I’m not really thinking, I’m just enjoying. I can feel the spirit of the audience and I want them to feel mine so we blend together. And it’s all really just about having a great time.
EV: What would you change err, if you look back on your life, what would you change in order to make you different or in order to make the thing which you could have done properly in the past err commit in a better way today, I don’t know if you…?
VW:  I mean, I’m not sure. I have to think, I’m not sure what I’d have to change because everything that I have done in the past, good or bad, has made me who I am today. And I like who I am today.
EV: So, what you are trying to say exactly is we have to keep giving opportunities to our kids to our people, you make mistakes because you’re doing something?
VW: Well… (Stammers)… making mistakes is human and humans grow. So mistakes are a part of growth. Because I know I can’t go back and change the past, I don’t worry about it, but I do pay attention to what I do right now because I can change the future. I can’t change the past but I can affect my future, so what I do right now is what’s most important. Changing the past is maybe not possible. I am aware of my past, but what I do today is what is going to affect my future.

EV: Now you are today at the Cape Town Jazz Festival, how does it feel to be here for the first time?
VW: I am happy to be here, at the Cape Town, I’ve been hearing about it for years and I am honoured to be here.
EV: I was with Marcus Miller before he went to Mozambique. I think I left him performing there. I think a month ago, did it ever came to your mind to perform in Mozambique?
VW: I hope so. I want to perform in as many places as possible so if I can get to Mozambique, that will make me happy.
EV: Okay, Thank you.
VW: Thank you.